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He was born into a family of drummers; his father, his uncle, and his brother each played the drums. Some of Denny\'s earliest memories are his father rehearsing after work with his band in the kitchen of their home. Occasionally they allowed young Denny Carmassi to sit in with them. His father exposed him to great drummers, including Buddy Rich, Jimmy Vincent and Richard Goldberg. Then Denny listened the radio and discovered several drummers like Earl Palmer, D.J. Fontana, Al Jackson Jr. (Denny actually learned to play the drums from listening to Al\'s and playing along with the Booker T. & the M.G.\'s Green Onions album), Clyde Stubblefield, Jabo Starks, Dino Danelli, Ginger Baker, Mitch Mitchell, John Bonham and Tony Williams.\r\n\r\nOut of high school, Denny started playing topless clubs in San Francisco. He joined a band called Sweet Linda Devine, and recorded an album in New York on Columbia, produced by Al Kooper, but before long they part
ed ways. Denny went on to work with several local bands in the San Francisco Bay Area and began working with Montrose and Sammy Hagar in the 1970s.\r\n\r\nCarmassi was a member of the first four line-ups of the band Montrose. After Montrose, he played with his former Montrose bandmate Sammy Hagar as a solo artist, and with his former Montrose bandmates Ronnie Montrose and Jim Alcivar in the band Gamma.\r\nTillery was born in 1948 to parents who migrated from Texas to San Francisco during World War II. She was born on the block of Fell Street where the SFJAZZ Center currently stands. Her father (Horace) was a carpenter whose first job after moving to California was at the Hunters Point Shipyard. Her mother (Eva L.) was a seamstress and later worked at a job pressing garments in a Chinatown sweatshop.\r\n\r\nNeither of her parents were musicians, but she had two uncles who played cornet. Tillery says her parents were terrible singers but they loved music and had a large collection of 78 rpm records. The music she heard as a young person in her household ranged from Count Basie and Sarah Vaughan to rural and urban blues. By age 2, her favorite singer was Dinah Washington, whose recording of \"That\'s All I Want From You\" was particularly loved by Tillery and was the first song she memorized. TIllery that she learned how to read by looking at the labels from her parent\'s record collection. \"Basie was on Verve. Dinah was on Mercury\". She had memorized Basie\'s arrangement of \"April in Paris\" by age 4. She also admired Ethel Merman\'s big voice, going into her parent\'s acoustically-pleasing bathroom and trying to imitate Merman\'s song \"There\'s No Business Like Show Business\".\r\n\r\nTillery is a self-taught singer, but her formal music education \r\nDenny has played with Heart, Coverdale-Page, Whitesnake, and David Coverdale as a solo artist. He also recorded with Randy Meisner, Kim Carnes, Al Stewart, Joe Walsh, 38 Special, Cinderella, Randy Newman and many more. Denny toured with Foreigner in 2002. Currently, he p